‘Localised’ and ‘unlocated’ contemporary legends and their function on the Greek internet
Número
Secció
Paraules clau:
llegendes contemporànies, localitat, Internet grega, folklore digital, històries de por
Publicat
Resum
Se sap que les llegendes contemporànies solen funcionar com a mitjà per sostenir les maneres imperants i les normes socials dominants. Així, se situen a prop del moment i el lloc de l’acció narrativa. En connectar-se a un lloc conegut determinat, és a dir, localitzar-se, promouen una sensació de plausibilitat.
No obstant això, entre les llegendes que es troben a la Internet grega, poques històries relacionen l’esdeveniment narrat amb un lloc concret. La majoria de les llegendes conegudes es transmeten sense cap referència espacial i temporal. Després d’haver perdut la connexió amb llocs concrets, esdevenen, per tant, «no localitzades». De fet, la majoria de les llegendes contemporànies reconegudes que circulen a la xarxa grega solen ser representades com a incidents terrorífics que succeeixen a persones aleatòries en moments i llocs no especificats.
Què suposa la pèrdua de la localitat per a la funció del gènere si va ser un dels elements clau que va convertir les llegendes modernes en històries possibles i versemblants? Contes? Com sembla que funcionen en línia? Encara existeixen històries localitzades? I si ho fan, la localitat millora la funció que ja tenen o finalment perd el seu impacte?
Descàrregues
Agències de suport
NoLlicència
Els autors que publiquen en aquesta revista estan d’acord amb els termes següents:- Els autors conserven els drets d’autoria i atorguen a la revista el dret de primera publicació, amb l’obra disponible simultàniament sota una Llicència d’atribució de Creative Commons que permet compartir l’obra amb tercers, sempre que aquests en reconeguin l’autoria i la publicació inicial en aquesta revista.
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- S’encoratja els autors a publicar la seva obra en línia (en repositoris institucionals o a la seva pàgina web, per exemple) abans i durant el procés de tramesa, amb l’objectiu d’aconseguir intercanvis productius i fer que l’obra obtingui més citacions (vegeu The Effect of Open Access, en anglès).
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